Issue 4

Editorial

Welcome to Issue 4 of The Saltbush Review. We are thrilled to be able to bring you another edition of fiction, non-fiction and poetry, and to continue in our project of connecting the South Australian literary community of readers and writers with international writers and audiences. We are constantly grateful to Arts SA for funding our third and fourth issues, and enabling us to pay both our writers and our editors for their work.

Our theme for Issue 4 is ‘Fracture’. In preparing this issue, we experienced a terrible fracture in our literary community here in Adelaide – the loss of beloved local writer Alison Flett. Alison, originally from Scotland, had lived in Adelaide since 2010, and was heavily involved in the local writing scene. Alison was an arts reviewer for InDaily, Poetry Editor at Transnational Literature and publisher, with Jill Jones, at Little Windows Press. Alison was actively involved with various writing groups and poetry projects. She was wildly talented, delightful company, and an amazing performer. She will be missed by so many, not only for her huge talent but also for her kindness and support. We keenly feel the loss of this superb writer, wonderful human and passionate advocate for the arts, but our loss is nothing compared to that of her closest friends and family, and we dedicate this issue to her memory, offering our condolences to all those reeling from this irrevocable loss.

To read our full Editorial, click here.

Non-Fiction
Fiction
Don't be Difficult - by Patrick Allington
Love in the Time of Carparks - by Angie Faye Martin
Glass - by Katherine Kruimink
A Country Between Two People - by Verity
Salvage - by Carmen Tudor
A Blessing - by Jane Downing
Still - by Anna Pax
It Started at the Sump - by R.A. Dee
The University - by Clayton Bradshaw-Mittal
Joy - by Hossein Asgari
The Killer - by Sue Hazel
Nostalgia Filter - by Orph Both
Tidemarked - by Ren Wednesday
Jack's Room - by Morgan Nunan
Poetry
After the Pandemic - by Nathanael O'Reilly
Diary Entry (17/4) - by Ouyang Yu
Grendel's Mother Considers Therapy - by Nadia Arioli
Pill box for an angelfish - by Dorothy Lune
the room closes - by Heather Taylor Johnson
Archaic Torso of King-Priest - by Suneeta Peres da Costa
Ethical Eating or Eve's Orange - by Michael Farrell
Breaking/Not Breaking - by Mark Dimaisip
Fever Dreaming - by Kate Kobosko
Fibonacci Sequence Including Several Hands, Minimal Choreography - by Liam Strong
11:04-12:12 Thursday, 1st of September 2022 - by Travis Lucas
A History of Opals - by Annamaria Quaresima
Whiff - by Abdulkareem Abdulkareem
Firelife - by Owen Bullock
Xaymaca - by Trish Tavares
The Mangroves Speak - by Sean West
Partings - by Matt Daly
Thoughts on Belongings - by Purbasha Roy
A Definitive History of Quitting - by Samodh Porawagamage
Reviews