The Saltbush Review is a digital literary journal founded in 2021. Based on Kaurna land in South Australia, the journal is edited by English and Creative Writing doctoral candidates and graduates from the University of Adelaide.
The Saltbush Review takes inspiration from its namesake, the saltbush plant, a native shrub which flourishes in Australia’s arid, salty soil and around the country’s coastal landscapes. The journal seeks to celebrate the local space of South Australia, from which it has grown, while also fostering interconnectedness with the country’s creative and literary communities. Like the grey saltbush which blooms by the coast, the journal embraces the liminal, the marginal, and the fluid. Looking out beyond the littoral zone, the journal seeks to opens its connections across the oceans to other parts of the world.
A space for new literary work by both emerging and established writers, The Saltbush Review is open to all voices from around the globe. We love works that convey diverse relationships to place and identity and that are not afraid to experiment with boundaries. We acknowledge the challenges that all writers face, especially writers from marginalised communities, and we encourage writers from all backgrounds to submit work.
Managing Editors and Co-Founders
Lyn Dickens is a mixed heritage writer and academic of Singaporean Peranakan and Anglo-Celtic Australian ancestry. Her fiction writing has been published in Australia, the UK, and the USA and she is a 2021 Write It Fellow with Penguin Random House. Her work has been shortlisted and longlisted for a variety of awards including the Deborah Cass Prize, the Lucy Cavendish Prize and the Richell Prize, and she was highly commended for the Chapter One Prize. Lyn has been awarded an Asialink Arts residency and she has a doctorate in Sociology from the University of Sydney which included a year of research at the University of Cambridge. She is a PhD candidate in Creative Writing at the University of Adelaide and a member of the JM Coetzee Centre for Creative Practice.
Gemma Parker is a published poet and a teacher at the University of Adelaide. Her poems and essays have been published in Transnational Literature, Award Winning Australian Writing, Writ Poetry Review and the Tokyo Poetry Journal. She was the 2016 winner of the Shoalhaven Literary Award for Poetry and a recipient of a residency at Bundanon in 2017. She is a PhD Candidate at the University of Adelaide as part of the JM Coetzee Centre for Creative Practice. She is one of the project managers of the Raining Poetry in Adelaide festival for 2021.
Clare Charlesworth is a PhD student at the University of Adelaide. Her project explores the changes made to works written by Walt Whitman, Henry James, and Willa Cather after initial publication. Clare graduated from the University of Aberdeen, Scotland, with a degree in English with Creative Writing in 2019. Shortly after, Clare decided to move to Adelaide, where she now finds herself oscillating between wanting to soak up the generous sunshine and missing the rain.
Theodora Galanis is a PhD candidate at the University of Adelaide. She is working on the ARC Special Research Initiative in Australian Society, History and Culture, titled “Between Indian and Pacific Oceans: Reframing Australian Literatures”. She is also the lead host of upcoming podcast, Shaping Futures, which places emerging and established South Australian leaders in conversation to discuss issues shaping the futures of our youth.
Mélanie Maillot is a French-Australian writer, editor, and independent researcher. She received her PhD in French Studies from the University of Adelaide in 2021. Her research, focused mainly on 20th century French and Francophone literature, is published in academic journals in Australia, Canada, Turkey, and the United States. She has been involved with the Raining Poetry in Adelaide festival since 2018 and is passionate about bringing new artistic projects to life.